Review: Hollywoodland (2006)
HOLLYWOODLAND
A film review by Steve Rhodes
Copyright 2006 Steve Rhodes
RATING (0 TO ****): **
HOLLYWOODLAND, a film noir run at half speed, features an awkward and
jarringly bad performance by Ben Affleck -- Remember DAREDEVIL? -- as George
Reeves, the actor whose sole claim to fame was as the man who played
Superman on television.
The movie's two parallel stories, which unfold at a tepid pace, concern the
events leading up to the death of Reeves, as well as the investigation -- or
lack thereof -- into the circumstances of his demise. While kryptonite
could easily be ruled out as a cause, since Reeves had a bullet through his
brain, everything else, except suicide, was quickly ruled out as well.
Adrien Brody (THE PIANIST) gives a moody reading of Louis Simo, the private
detective who investigates the case under contract to Reeves's mom. The two
of them appear to be the only ones on the planet who see the obvious clues
that it wasn't suicide. Brody overplays...
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Review: Hollywoodland (2006)
HOLLYWOODLAND
A film review by Steve Rhodes
Copyright 2006 Steve Rhodes
RATING (0 TO ****): **
HOLLYWOODLAND, a film noir run at half speed, features an awkward and
jarringly bad performance by Ben Affleck -- Remember DAREDEVIL? -- as George
Reeves, the actor whose sole claim to fame was as the man who played
Superman on television.
The movie's two parallel stories, which unfold at a tepid pace, concern the
events leading up to the death of Reeves, as well as the investigation -- or
lack thereof -- into the circumstances of his demise. While kryptonite
could easily be ruled out as a cause, since Reeves had a bullet through his
brain, everything else, except suicide, was quickly ruled out as well.
Adrien Brody (THE PIANIST) gives a moody reading of Louis Simo, the private
detective who investigates the case under contract to Reeves's mom. The two
of them appear to be the only ones on the planet who see the obvious clues
that it wasn't suicide. Brody overplays his hand as a broody and melancholy
PI who keeps getting beaten up for asking the wrong questions.
UNFAITHFUL's Diane Lane gives another spotless performance. Playing Toni
Mannix, a.k.a. Mrs. Mannix, Lane gives middle age women everywhere, even
those cheating on their husbands, a role model for grace and beauty. As
Eddie Mannix, the tough guy villain of the piece, Bob Hoskins rehashes a
role he has played so often before. Eddie doesn't mind his wife running
around, since he does it too. A studio exec with a fistful of money and
plenty of goons working for him, Eddie has no problem with Toni using Reeves
as her boy toy. Toni lavishes Gifts on the struggling actor, including a
new house, where they play house regularly.
Never claiming to be even inspired by a true story, the movie liberally
mixes conjecture with fact in such large doses that it is never clear what
happened.
What the movie gets right, perhaps to its own detriment, is the 1950s period
setting. Every stick of furniture and every article of clothing appears to
have undergone meticulous research into its authenticity. But in a film
that is about a half hour too long, this in-our-face history lesson of that
decade's appearance leaves us spending more time contemplating the movie's
surface gloss than the story itself.
And, speaking of gloss. Do you remember the 50s? I sure do. As I recall,
the streets were not filled with convoys of cars all fresh from the showroom
floor, shining so bright with polish that they could cause instant
blindness. I believe dust and dirt -- and even cars from the 40s -- were
allowed.
HOLLYWOODLAND runs too long at 2:06. It is rated R for "language, some
violence and sexual content" and would be acceptable for teenagers.
The film opens nationwide in the United States on Friday, September 8, 2006.
In the Silicon Valley, it will be showing at the AMC theaters, the Century
theaters and the Camera Cinemas.
Web: http://www.InternetReviews.com
Email: Steve.Rhodes@InternetReviews.com
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